Work in Progress Work on deep time, geology, and climate change. 2025
Formation #1 8’ x 10’ screenprinting, clay slip, pochoir, and cut paper
Selections from a body of work on ferns, deep time, and climate.
From the Start #1 2024 18” x 24” clay slip, wax, cut paper, gouache, and laser engraved woodcuts
Nature Has More Reach #2 2024 18” x 24” abaca paper made by the artist, thread, hand dyed mulberry paper, laser engraved woodcuts, clay slip, and wax
Many Things Extend #2 2024 18” x 24” Mulberry paper, clay slip, wax, watercolor
Close Reading #5 12”x 18” Abaca paper made by the artist, clay slip, etching, letterpress, and gouache
Reading Room 2024 Radford University Museum exhibit tables contain current reading on climate change,19th century book on ferns from Special Collections that inspired the work, and student book arts work.
Selections from a collaborative body of work on the history of Penland School of Craft
Reading Space 2024 Arrowmont School of Arts and Crafts Wolpert Gallery exhibit tables contain books on weaving, dyeing, the history of Penland.
All My Roots 2017 8.5” x 11” onion skin, photopolymer plates, hand-set type, and collagraph
Sketchbook spread a sketchbook practice is vital to my work and to the work of my students
Selections from a body of work on the architecture of the mind.
Floating Rooms #1 2019 12”x 18” laser engraved woodcuts, linoleum block prints, and graphite transfer
A Forest of Sticks 2019 12” x 18” linoleum block prints, pochoir, graphite transfer, graphite
Inner Rooms 2017 7.5” x 8.25” closed photopolymer plates, pochoir, graphite transfer, graphite, and gouache on Zerkall Book paper
interior view of Inner Rooms
Internal Lakes 2016 set of 4 maps, 16” x 20” woodblock prints, embroidery, and collage
Internal Lakes, detail
Anatomical Chart 2015 abaca made by the artist, cut paper inclusions, letterpress
Anatomical Chart, detail when backlit